Behringer DeepMind 12X

245146.96 HUF*

Leírás

Analog synthesizer, 12 voices, 2 oscillators, lowpass filter, stereo VCA, 3 envelopes, 2 LFOs, 4 FX engines, 1024 presets Polyphonic analog synthesizer Analog Synthesizer 12 polyphonic voices Keyboard with 49 keys, semi-weighted Aftertouch & velocity 2 oscillators Hardsync Noise generator 12/24dB Lowpass filter 6dB Highpass Filter Stereo VCA 3 ADSR envelopes 2 LFOs with 7 waveforms Modulation matrix (8 entries, 19 sources / 133 destinations) Step sequencer with 32 steps Arpeggiator Chord Mode & PolyChord Memory 4 FX engines with 33 algorithms Real effect bypass 1024 presets Full MIDI implementation Remote control via iPad/PC/Mac/Android app Balanced stereo output headphone output Input for sustain pedal Pedal/CV input MIDI In/Out/Thru USB MIDI Behringer DeepMind 12X in Juno look The Deepmind 12X from Behringer is an analog synthesizer with 12-voice polyphony, 49 keys and a wide range of functions. The X version differs from the gray-black version by the red and blue marked function areas, which gives the DeepMind X the typical Roland Juno look. There are no differences in terms of dimensions, features and technical specifications. The instrument offers two oscillators, a noise generator, a Lowpass filter with a downstream Highpass filter, a Stereo VCA, two LFOs, three ADSR envelopes and four effect processors with flexible routing. Thanks to the modulation matrix with eight entries, the sounds of the DeepMind achieve a liveliness that is rarely heard in polyphonic synthesizers. With all the potential for wacky sound experiments, classic vintage sounds are also naturally achieved. Another highlight is the ability to control the Deepmind remotely via app. Analog signal path based on a historical model OSC 1 simultaneously generates the sawtooth and square waveforms with variable pulse width (PWM) and OSC 2 generates the square wave with variable pulse width. The combination of the square/pulse waveforms of OSC 1 and the Tone modulations of OSC 2 give the DeepMind its fresh and special character, which has been appreciated since the Juno synthesizers of the 80s. The sound spectrum is complemented by a noise generator. The three tone generators and mixer are followed by the charismatic, analog Lowpass filter with a slope of either 12 or 24 dB. Keytracking, LFO modulation and envelope with switchable inversion are directly adjustable. A downstream, resonance-free Highpass Filter cleans up the bass range if required. The last element of the analog signal path is the stereo VCA. The LFOs - non-stop activity! At first glance, the two LFOs are clearly laid out with 7 waveforms each (sine, triangle, square, sawtooth, ramp, sample & hold, sample & glide) and controls for frequency and modulation delay. The Edit menu also contains Key Sync (restart of the LFO with each new note), Clock Sync (clock rates with a specific tempo reference) and parameters for phase link with both LFOs and the ability to modulate each other (cross-modulation). Effects in abundance...